Diogo Pimentao, Masque (Miroir), 2008-2010, paper, graphite, Overall: 23 5/8 x 23 5/8 x 2 3/4 in.

Diogo Pimentao, Masque (Miroir), 2008-2010, paper, graphite, Overall: 23 5/8 x 23 5/8 x 2 3/4 in. Dimensional/Relief, Drawings

Sheila Pinkel, Folded Paper, 1974-1982, Gelatin silver print, Framed: 54 1/2 x 52 1/2 in.

Sheila Pinkel, Folded Paper, 1974-1982, Gelatin silver print, Framed: 54 1/2 x 52 1/2 in. Photo Based

L. William Pope, How We Haptic, 2016, Acrylic, oil paint marker, ballpoint, ink, hair and tape on artist paper with painted push pins in wooden artist frame, 14 x 11 x 2 1/2 in.

L. William Pope, How We Haptic, 2016, Acrylic, oil paint marker, ballpoint, ink, hair and tape on artist paper with painted push pins in wooden artist frame, 14 x 11 x 2 1/2 in. Drawings, Language/Text Based

Nadja Poppe, Landschaft Mecklenburg Vorpommern, 2010, Graphite on paper, Paper: 12 x 16 15/16 in.

Nadja Poppe, Landschaft Mecklenburg Vorpommern, 2010, Graphite on paper, Paper: 12 x 16 15/16 in. Drawings

Edgar Ramirez, Lottery of False Hopes 1, 2020, Acrylic house paint and capped roofing nails on cardboard,59 x 75 in.

Edgar Ramirez, Lottery of False Hopes 1, 2020, Acrylic house paint and capped roofing nails on cardboard,59 x 75 in. Collage, Language/Text Based

Sarah Rapson, Automatic, 2012, Ink on newsprint, Paper: 17 1/2 x 13 1/2 in.

Sarah Rapson, Automatic, 2012, Ink on newsprint, Paper: 17 1/2 x 13 1/2 in. Drawings, Language/Text Based

Carrie Schneider, Double Negative (Goddess Negative), 2020, Unique chromogenic print made in camera, 14 x 11 in.

Carrie Schneider, Double Negative (Goddess Negative), 2020, Unique chromogenic print made in camera, 14 x 11 in. Photo Based

Lauren Seiden, Wrap Raw #1, 2013, Graphite on paper, Overall: 42 x 28 in.

Lauren Seiden, Wrap Raw #1, 2013, Graphite on paper, Overall: 42 x 28 in. Dimensional/Relief, Works of Paper

Mark Sheinkman, Druxton, 2007, graphite on paper, Object: 29 x 21 in.

Mark Sheinkman, Druxton, 2007, graphite on paper, Object: 29 x 21 in. Drawings

Amy Sillman, A Shape that Stands Up and Listens #48, 2012, Ink and chalk on paper, 30 x 22 1/2 in.

Amy Sillman, A Shape that Stands Up and Listens #48, 2012, Ink and chalk on paper, 30 x 22 1/2 in. Collage, Drawings

Howard Smith, Untitled, 1996, watercolor on paper, Object: 11 1/4 x 7 3/4 in.

Howard Smith, Untitled, 1996, watercolor on paper, Object: 11 1/4 x 7 3/4 in. Drawings

John Sparagana, Tahrir Square Protest/Morris Louis, “Unfurled” series (1960), 2011, Sampled magazine pages, fatiged and mixed, acrylic on paper, Paper: 9 3/4 x 30 in.

John Sparagana, Tahrir Square Protest/Morris Louis, “Unfurled” series (1960), 2011, Sampled magazine pages, fatiged and mixed, acrylic on paper, Paper: 9 3/4 x 30 in. Collage, Drawings