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    A Curatorial and Study Platform focused on unique abstract contemporary works on paper held in the JoAnn Gonzalez Hickey collection SYZYGY
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    • HOME
    • THE COLLECTION
      • SELECTED IMAGES FROM THE COLLECTION
      • DISTANCE BETWEEN
    • CONVERSATIONS
    • THE PLATFORM
    • THE TEAM
      • THE COLLECTOR
      • THE DIRECTOR
    • NEWS
    • CONTACT

    LANGUAGE/TEXT BASED

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    CHINE COLLE COLLAGE DIMENSIONAL/RELIEF DRAWINGS JOURNAL/SKETCHBOOK LANGUAGE/TEXT BASED PHOTO BASED WORKS OF PAPER
    Ryan Brown, Technical Collage, 2013, Acrylic, ink, watercolor, salt on paper over aluminum, Overall: 23 x 30 in.

    Ryan Brown, Technical Collage, 2013, Acrylic, ink, watercolor, salt on paper over aluminum, Overall: 23 x 30 in. Dimensional/Relief, Language/Text Based, Works of Paper

    Jamal Cyrus, For the Two Southsides, 2020, collaged Jet Magazine, conch shell, canvas, cotton

    Jamal Cyrus, For the Two Southsides, 2020, collaged Jet Magazine, conch shell, canvas, cotton Collage, Language/Text Based

    Annabel Daou, I Don’t Know Where I’m Coming From, 2011, Ink and repair tape on handmade paper, Framed: 38 x 50 in.

    Annabel Daou, I Don’t Know Where I’m Coming From, 2011, Ink and repair tape on handmade paper, Framed: 38 x 50 in. Collage, Drawings, Language/Text Based

    Karl Haendel, Fantastic Ultra Lubricated Grape Jelly, 2014, Pencil and enamel on cut paper, Framed: 40 x 39 in.

    Karl Haendel, Fantastic Ultra Lubricated Grape Jelly, 2014, Pencil and enamel on cut paper, Framed: 40 x 39 in. Drawings, Language/Text Based

    Edgar Heap of Birds, For Everyone Have Something, 2002-2013, 8 monoprints Ink on rag paper, Each Sheet: 22 x 15 in.

    Edgar Heap of Birds, For Everyone Have Something, 2002-2013, 8 monoprints Ink on rag paper, Each Sheet: 22 x 15 in. Language/Text Based

    Justine Kurland, James Welling, Monograph, 2020, Collage on hardcover bookcover, 11 1/4 x 20 1/4 in.

    Justine Kurland, James Welling, Monograph, 2020, Collage on hardcover bookcover, 11 1/4 x 20 1/4 in. Collage, Language/Text Based

    L. William Pope, How We Haptic, 2016, Acrylic, oil paint marker, ballpoint, ink, hair and tape on artist paper with painted push pins in wooden artist frame, 14 x 11 x 2 1/2 in.

    L. William Pope, How We Haptic, 2016, Acrylic, oil paint marker, ballpoint, ink, hair and tape on artist paper with painted push pins in wooden artist frame, 14 x 11 x 2 1/2 in. Drawings, Language/Text Based

    Edgar Ramirez, Lottery of False Hopes 1, 2020, Acrylic house paint and capped roofing nails on cardboard,59 x 75 in.

    Edgar Ramirez, Lottery of False Hopes 1, 2020, Acrylic house paint and capped roofing nails on cardboard,59 x 75 in. Collage, Language/Text Based

    Sarah Rapson, Automatic, 2012, Ink on newsprint, Paper: 17 1/2 x 13 1/2 in.

    Sarah Rapson, Automatic, 2012, Ink on newsprint, Paper: 17 1/2 x 13 1/2 in. Drawings, Language/Text Based

    Phoebe Washburn, A Champ Sighting, 2012, Mixed media on paper, Paper: 21 3/4 x 24 in.

    Phoebe Washburn, A Champ Sighting, 2012, Mixed media on paper, Paper: 21 3/4 x 24 in. Drawings, Language/Text Based

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